Discografia Santa Sabina -
After the acoustic success, the band returned with their most abrasive and experimental record. Mar Adentro en la Sangre (Into the Sea of Blood) is a difficult, rewarding listen. Inspired by the poetry of and the prose of Alejandra Pizarnik , this album eschews radio-friendly structures in favor of sonic landscapes.
Belew logró pulir el virtuosismo técnico de los músicos (Alfonso Figueroa, Jacobo Lieberman, Patricio Iglesias y Pablo Valero). El disco consolidó su estatus como una banda de culto inaccesible para el pop comercial, pero venerada en el circuito alternativo. 3. Babel (1996)
The story of Santa Sabina cannot be told without first understanding its essential core: the meeting of singer Rita Guerrero and bassist Alfonso "Poncho" Figueroa. In the late 80s, Guerrero moved to Mexico City to study theater, while Figueroa was part of a jazz group named "Los Psicotrópicos". The meeting was fateful. The group needed music for a theatrical play Guerrero was working on, and from that initial collaboration, a deep and unbreakable artistic affinity was born. The seed for Santa Sabina was planted.
Released to commemorate their 15th anniversary, this live album captures a celebratory concert that took place after the band's first dissolution period. It features a career-spanning setlist and includes tracks from Espiral , offering a comprehensive live retrospective of their work. discografia santa sabina
Considerada por muchos críticos como la obra maestra de la banda, contó con la producción del legendario guitarrista estadounidense Adrian Belew (miembro de King Crimson ). La mano de Belew potenció el sonido experimental de la banda, dándole un filo más crudo, matemático y vanguardista. Las letras se volvieron más crípticas, inspiradas en la poesía mística y el surrealismo.
El disco consolidó la madurez lírica de la banda, fuertemente influenciada por la poesía de Jordi Porta (colaborador cercano y pareja de Rita). La instrumentación se volvió más intrincada, y el misticismo que rodeaba a la chamana María Sabina —inspiración del nombre de la banda— se hizo más evidente en la atmósfera mística del álbum. Babel (1996)
| # | Song Title | | :--- | :--- | | 1 | Sí | | 2 | Nos Queremos Morir | | 3 | Ajusco Nevado | | 4 | Símbolos | | 5 | Vete Leve | | 6 | Yo Te Ando Buscando | | 7 | Estando Aquí No Estoy | | 8 | Súbete Otra Vez | | 9 | Soledad | | 10 | 5 o 6 | | 11 | Perder el Juicio | | 12 | Alas Negras | After the acoustic success, the band returned with
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The band's official activity as a group concluded in 2005, but not before celebrating their 15th anniversary with a major tour captured on the double CD XV Aniversario En Vivo . This album, with 25 tracks in total, is the definitive live document of Santa Sabina and an essential piece for any fan's collection. The setlist spans their entire career, revisiting their most beloved songs in a powerful and emotional way, honoring their history in a great rock ritual. This period also saw the release of compilations like 15 Años de Éxito (2004), which collected their biggest hits.
: Their self-titled debut featuring hits like "Azul Casi Morado". Símbolos (1994) : Produced by Adrian Belew Belew logró pulir el virtuosismo técnico de los
A continuación, un recorrido detallado por la discografía de Santa Sabina, una de las agrupaciones más artísticas y técnicas de México. Los Álbumes de Estudio: Un Viaje Sonoro
Espiral serves as a perfect closing chapter for the band’s initial run. It is an album about accepting the end with dignity.
El último álbum de estudio de la alineación original antes de entrar en un receso indefinido. es una obra densa, con tintes de rock electrónico experimental, jazz contemporáneo y arreglos de cuerdas que crean una atmósfera asfixiante pero hermosa. SANTA SABINA discography and reviews - Prog Archives
Babel is considered by many to be Santa Sabina's magnum opus. It was presented live at Mexico City's iconic Metropolitan Theatre. The album is a conceptual work inspired by the biblical story of the Tower of Babel and John Milton's Paradise Lost , exploring themes of confusion, the fall from grace, and the eternal human struggle for understanding. Musically, it is arguably their most ambitious and progressive work, with complex song structures and a dense, layered sound. The track "Estando aquí no estoy" remains one of their most beloved and frequently performed songs.
