| # | Title | Notes | | :--- | :--- | :--- | | 1 | "Rize Intro" | Sets the tone for the entire project. | | 2 | "Down Jimmy" | Also appears as "Jimmy Down" on some tracklists. | | 3 | "Imagine" | A key track on the album. | | 4 | "Flywun" | A short but memorable interlude. | | 5 | "Whoomp" | A catchy and upbeat track. | | 6 | "Angel [Original]" | A fan favorite, showcasing Dwele's smooth vocal delivery. | | 7 | "Dime For Your Thoughts" | A classic Dwele track, known for its clever wordplay. | | 8 | "Lady At Mahogany" | Also appears as "Lady @ Mahogany." | | 9 | "Timeless" | A beautiful short piece, featuring a sample of the legendary Teena Marie. | | 10 | "Twuneanunda" | This track would later be reworked for his official debut album, Subject . | | 11 | "Early Morning" | A smooth, laid-back groove perfect for late nights. | | 12 | "Groove (Live Jazzy Ish)" | A brief live instrumental interlude. | | 13 | "Blaze Up a Square" | One of the more hip-hop leaning tracks on the album. | | 14 | "Ready For Love [Interlude]" | A short spoken-word or sung interlude. | | 15 | "Remedy" | A soulful gem. | | 16 | "Slide Out" | The outro of the album, bringing the experience to a close. | | 17 | "A.N.G.E.L. (Slum Village Mix)" | A remix of "Angel" featuring a verse from Detroit's Slum Village. This appears as a bonus track on some vinyl versions. |

"Rize" received positive reviews from critics, with many praising Dwele's innovative blend of electronic, hip-hop, and R&B sounds. The album has been praised for its catchy hooks, infectious beats, and Dwele's soulful vocals.

"Rize" has become a cult classic in the R&B world, influencing a generation of artists and producers. Dwele's innovative approach to production and vocal performance has been cited as an inspiration by artists such as Kanye West and Frank Ocean.

Nonetheless, for purists, the original Rize remains superior. It captures Dwele before the industry got involved, featuring a looser, jazz-influenced structure that relied heavily on live instrumentation and improvisation. Following Subject , Dwele released a string of successful albums including Some Kinda (2005), Sketches of a Man (2008), and W.ants W.orld W.omen (2010). He also achieved mainstream crossover success through his features on Kanye West’s "Flashing Lights" and "Power".

This local success caught the attention of the city's hip-hop royalty, , and the legendary producer J Dilla . They were so impressed that they immediately invited Dwele to collaborate. The connection with J Dilla and Slum Village proved pivotal, eventually leading to a record deal with Virgin Records.

Before the major label deals, before the Grammy nominations, and before Dwele became a staple of modern neo-soul, there was a quiet revolution happening in Detroit. At the turn of the millennium, a young artist armed with a sampler, a keyboard, and a distinctive falsetto recorded a collection of demos that would define a new era of soulful music. That project was , a 2000 album—sometimes referred to by its 32-minute or 32-track, roughly-sequenced format in early underground circles—that laid the groundwork for his future, critically acclaimed work.

Dwele’s debut album, , is a seminal piece of neo-soul history that began as a hand-distributed bedroom demo in Detroit. Released independently in 1998 (with later reissues in 2000 and 2004), the project consisted of roughly 100 cassette copies sold out of the trunk of Dwele’s car. Despite its humble beginnings, the album’s sophisticated blend of R&B, jazz, and hip-hop quickly gained international traction through early file-sharing and bootlegging, reaching audiences as far as London and Shanghai. The Genesis of a Neo-Soul Staple

: The project is celebrated for its raw fusion of jazzy instrumentation, traditional R&B hooks, and hip-hop sensibilities.

: One of Dwele's most famous early works, showcasing his multi-instrumentalist skills (horns, keys, and vocals). "Lady at Mahogany"

A track that perfectly capsules the late '90s Soulquarians movement.

Note: Some early CD reissues of the tape included silent, extra tracks at the end of the project, a common quirk of independent releases from that era. The Legacy of Rize

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A master of atmosphere, Dwele has always excelled at making small moments feel expansive. On Rize, that talent is sharpened. The opening tracks set a tone of reflective maturity — soft, breathy vocals glide over low-slung basslines, brushed percussion, and languid Rhodes chords. These are songs built for late-night windows and slow drives, but they never lapse into background ambience; subtle melodic turns and lyric details reward repeated listens. Throughout, Dwele’s voice remains the primary instrument: measured, warm, and honest, never forced into dramatic climaxes but always expressive enough to carry emotional weight.